TALKS
Proksch, S. (November 2017). Grounding musical entrainment and social cohesion in sensorimotor contingencies. Talk presented at Worlding the Brain 2017: Affect, Care, Engagement, Amsterdam, Netherlands.
Proksch, S. (August 2017). Interoceptive inference and emotion in music: Integrating the neurofunctional ‘Quartet Theory of Emotion’ with predictive processing in music-related emotional experience. Talk presented at the Mind and Brain Annual Conference, Flint, MI.
Novelli, N. & Proksch, S. (April 2017). The limitations of music making machines. Talk presented at the 6th Dubrovnik Conference on the Philosophy of Art, Dubrovnik, Croatia.
POSTERS
Proksch, S., Booth, L., Dayer, A., Reeves, M., Spivey, M. (June 2019). Online and In Sync? Bodily synchrony & interpersonal closeness in audiovisual communication. Poster presented at American Psychological Association Advanced Training Institute on Nonlinear Methods for Psychological Science, Cincinnati, Ohio.
Ross, J. M., Proksch, S., Iversen, J.R., Balasubramaniam, R. (March 2019). Hemispheric differences in parietal contributions to auditory beat perception. Poster presented at Cognitive Neuroscience Society 2019 Annual Meeting, San Francisco, California.
Proksch, S., Ross, J. M., Balasubramaniam, R. (February 2019). Hemispheric differences in parietal contributions to auditory beat perception. Poster presented at Spring School 2019 Language and Music in Cognition: Integrated Approaches to Cognitive Systems, Cologne, Germany.
Proksch, S. (November 2017). Interoceptive inference and emotion in music: Integrating the neurofunctional ‘Quartet Theory of Emotion’ with predictive processing in music-related emotional experience. Poster presented at Expecting Ourselves: Prediction, Action, and the Embodied Mind, Edinburgh, United Kingdom.
OTHER PRESENTATIONS
UC Merced Cognitive Science Student Association Symposium (December 2018)
Outreach event sharing graduate student cognitive science research with undergraduate students
Edinburgh Music Psychology Research (EMPRes) reading group (Spring 2017)
Organized and led discussion for three reading group sessions on:
Proksch, S. (November 2017). Grounding musical entrainment and social cohesion in sensorimotor contingencies. Talk presented at Worlding the Brain 2017: Affect, Care, Engagement, Amsterdam, Netherlands.
Proksch, S. (August 2017). Interoceptive inference and emotion in music: Integrating the neurofunctional ‘Quartet Theory of Emotion’ with predictive processing in music-related emotional experience. Talk presented at the Mind and Brain Annual Conference, Flint, MI.
Novelli, N. & Proksch, S. (April 2017). The limitations of music making machines. Talk presented at the 6th Dubrovnik Conference on the Philosophy of Art, Dubrovnik, Croatia.
POSTERS
Proksch, S., Booth, L., Dayer, A., Reeves, M., Spivey, M. (June 2019). Online and In Sync? Bodily synchrony & interpersonal closeness in audiovisual communication. Poster presented at American Psychological Association Advanced Training Institute on Nonlinear Methods for Psychological Science, Cincinnati, Ohio.
Ross, J. M., Proksch, S., Iversen, J.R., Balasubramaniam, R. (March 2019). Hemispheric differences in parietal contributions to auditory beat perception. Poster presented at Cognitive Neuroscience Society 2019 Annual Meeting, San Francisco, California.
Proksch, S., Ross, J. M., Balasubramaniam, R. (February 2019). Hemispheric differences in parietal contributions to auditory beat perception. Poster presented at Spring School 2019 Language and Music in Cognition: Integrated Approaches to Cognitive Systems, Cologne, Germany.
Proksch, S. (November 2017). Interoceptive inference and emotion in music: Integrating the neurofunctional ‘Quartet Theory of Emotion’ with predictive processing in music-related emotional experience. Poster presented at Expecting Ourselves: Prediction, Action, and the Embodied Mind, Edinburgh, United Kingdom.
OTHER PRESENTATIONS
UC Merced Cognitive Science Student Association Symposium (December 2018)
Outreach event sharing graduate student cognitive science research with undergraduate students
- Talk title: On Music & Artificial Intelligence: The limitations of music-making machines
Edinburgh Music Psychology Research (EMPRes) reading group (Spring 2017)
Organized and led discussion for three reading group sessions on:
- Introduction to music and predictive processing (Blog Post, Discussion Summary)
- Emotion in music and predictive processing (Blog Post, Discussion Summary)
- Rhythm in music and predictive processing (Blog Post, Discussion Summary)